Verchomin was 28 years younger. Other albums included The Tokyo Concert (1973); Since We Met (1974); and But Beautiful (1974; released in 1996), featuring the trio plus saxophonist Stan Getz in live performances from the Netherlands and Belgium. In 1961, ten days after finishing an engagement at the New York Village Vanguard jazz club, LaFaro died in a car accident. He did not record or perform in public again for several months. Evans spent the next night writing what would become "Blue in Green". I play it for a period of time, then I quickly tire of it, and I want to get back to the acoustic piano. During this period, despite all the successes, Evans was visiting a psychiatrist, as he was unsure whether he wanted to continue as a pianist. [77], Evans's repertoire consisted of both jazz standards and original compositions. 3 4 5. The album won him his first Grammy award. Like many, the pull of the Big Apple (New York) was irresistible and I still find it amazing to reflect as did Laurie, that we could just bunk down on someone’s couch until we’d exhausted our stay! [10][65] His melodic contours often describe arches. [72], Evans never embraced new music movements; he kept his style intact. The first, Explorations, was recorded in February 1961. [40] Later, Evans deemed this record as one of his favorites. In 1966, he met bassist Eddie Gómez, with whom he worked for 11 years. Both influences coalesced in Davis' conception of modal jazz offering an alternative to chord changes and major/minor key relationships, relying instead on a series of modal scales. "[34] However, Evans and Davis kept in touch throughout their lives. He was fascinated with Eastern religions and philosophies including Islam, Zen, and Buddhism. [29], In an interview given in 1964, Evans described Bud Powell as his single greatest influence. Once the musicians were assembled, Davis gave brief instructions for each piece and then set about taping the sextet in studio. It was sudden, but longtime WABC weather anchor Bill Evans is gone from the air and some social media platforms. Bill Evans was driving himself evermore towards death’s door due to his adult substance uses of hard liquor, heroin and lastly cocaine which was so easily accessible. Did the age gap between them make a difference? [71], Evans's career began just before the rock explosion in the 1960s. However, unlike other jazz players (e.g. Evans, who was already acquainted with these ideas, began to work with Russell in 1956. [2] His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. [13] During high school, Evans came in contact with 20th-century music like Stravinsky's Petrushka, which he called a "tremendous experience", and Milhaud's Suite provençale, whose bitonal language he believed "opened him to new things." Records. ","facebookSharePicture":"https:\/\/\/wp-content\/uploads\/2018\/07\/bill_evans_featured-New.jpg","twitterText":"Bill Evans - An Insight Into A Genius. [10] Russell was then developing his magnum opus, the treatise Lydian Chromatic Concept of Tonal Organization, in which he argued that the Lydian mode was more compatible with tonality than the major scale used in most music. Bár Davis szerint Bill Evans volt az az igazi zongorista, akire szüksége van, mégis folyton éreztette vele lenézését. LaFaro joined his trio three years later.[33]. I used to use a lot of finger technique when I was younger, and I changed over to a weight technique. Born in Plainfield, New Jersey, in 1929, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, where he majored in composition and received the Artist Diploma. Perhaps, I get the sense that the grief of Bill’s death and the traumatic moments leading up to his passing took a long time to process and like most of us, was nothing like we expect, even if we know its arrival is close. Other highlights from this period include "Solo – In Memory of His Father" from Bill Evans at Town Hall (1966), which also introduced "Turn Out the Stars"; a second pairing with guitarist Jim Hall, Intermodulation (1966); and the solo album Alone (1968, featuring a 14-minute version of "Never Let Me Go"), that won his third Grammy award.[50]. Though he recorded many albums for Verve, their artistic quality was uneven. In May and August 1960, Evans appeared in Russell's album Jazz in the Space Age for Decca, while in late 1960, he performed on Jazz Abstractions, an album recorded under the leadership of Gunther Schuller and John Lewis. With new bassist Chuck Israels, they recorded in December Nirvana, with flautist Herbie Mann,[6] soon followed by Undercurrent, with guitarist Jim Hall. I'm of a certain period, a certain evolution. Eloquence is an album composed of songs played by jazz musicians Bill Evans and Eddie Gomez between the years of 1973 and 1975. Janis Siegel and Lauren Kinhan concoct a savory vocal gumbo. In October 1961, persuaded by his producer Orrin Keepnews, Evans reappeared on the musical scene with an album with Mark Murphy. Evans also appeared on albums by Charles Mingus, Oliver Nelson, Tony Scott, Eddie Costa and Art Farmer. [10] Evans had a fondness for horse racing and frequently gambled hundreds of dollars, often winning. [47] The cause of death was a combination of peptic ulcer, cirrhosis, bronchial pneumonia, and untreated hepatitis. Whether you’re a fully fledged Bill Evans aficionado or want to delve deeper into his life this book should be on your bookshelf. [52] On one occasion while injecting heroin, he hit a nerve and temporarily disabled it, performing a full week's engagement at the Village Vanguard virtually one-handed. This is where she meets Bill for the first time, and her initial impression of him, and his of her! [12] At age 7, Bill began violin lessons, and soon also flute and piccolo. Some recordings in unusual contexts were made, such as a big-band live album recorded at Town Hall, New York that was never issued owing to Evans's dissatisfaction with it (although the more successful jazz trio portion of the Pavane concert was released), and an album with a symphony orchestra that was not warmly received by critics. 52. Bill Evans was one of the most famous Jazz pianists of the 20th century who revolutionized Jazz. [18] Evans attended North Plainfield High School, graduating in 1946. "I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. Why Did I Choose You? On May 26, Evans made his first studio recordings with Davis, which were first issued as part of Jazz Track,[37] and later reissued on 1958 Miles. Many of his tunes, such as "Waltz for Debby", "Turn Out the Stars", "Very Early", and "Funkallero", have become often-recorded jazz standards. Laurie is very open and her transition into an acceptance that Bill is still alive, just on another plane of universal existence, helps the reader understand her continuing deep appreciative love for everything Bill Evans and his memory. [43], Evans returned to the Davis sextet in early 1959, at the trumpeter's request, to record Kind of Blue, often considered the best-selling jazz album of all time. He had a brother, Harry (Harold), two years his senior, to whom he was very close. ","facebookShareLink":"https:\/\/\/2018\/07\/bill-evans-an-insight-into-a-genius\/","facebookShareDescription":"Copenhagen Rehearsal Video 1966. "[15][51], Evans never allowed heroin to interfere with his musical discipline, according to a BBC record review article which contrasts Evans's addiction with that of Chet Baker. He became addicted to cocaine shortly before his death in 1980. [12], Evans remembered Leland with affection for not insisting on a heavy technical approach, with scales and arpeggios. Laurie is a counterbalance for him which brings him a deep level of comfort and solace to his inner pain. [9] As a result, Evans went back on heroin for a while, then got into a methadone treatment program. He soon dropped those instruments, but it is believed they later influenced his keyboard style. [50] It has remained a critical favorite, and is one of two albums Evans made with drummer Jack DeJohnette. Laurie Verchomin is hoping to do a small tour of these 3 countries next summer during the Jazz festival season, to collaborate with various pianists to present her writing with Bill’s music. In 1963, Evans recorded Conversations with Myself, a solo album using the unconventional technique of overdubbing himself. In early 1960, the trio began a tour that brought them to Boston, San Francisco (at Jazz Workshop club), and Chicago (at the Sutherland Lounge). Evans said, "You don't understand. During one of his concerts at the Jazz Gallery, Evans contracted hepatitis, and had to retreat to his parents' house in Florida. Your information will not be shared. Miles Davis minden idők legnagyobb példányszámban eladott dzsesszlemezén, a Kind of Blue-n Evans volt a legfontosabb, döntően inspiráló partner.Evans Miles Davis szűk köréhez tartozott. He hosted a jazz program on the camp radio station and occasionally performed in Chicago clubs, where he met singer Lucy Reed, with whom he became friends and later recorded. Evans then asked Philly Joe Jones, the drummer he considered his "all-time favorite drummer", to fill in. More Buying Choices $9.33 (15 used & new offers) Kindle $19.95 $ 19. [47], Evans in interview with George Clabin, 1966[33]. [50], Evans's heroin addiction increased following LaFaro's death. While the trio did not produce any studio records in 1960, two bootleg recordings from radio broadcasts from April and May were illegally released, something that infuriated Evans. Evans and LaFaro would achieve a high level of musical empathy. The album took a year to make, and was successful enough to enable Russell to escape his penurious lifestyle. While recovering, Evans recorded, as sidesman, in The Great Kai & J. J., and The Incredible Kai Winding Trombones for Impulse! Be the first to answer this question. There is no more influential jazz-oriented pianist—only McCoy Tyner exerts nearly as much pull among younger players and journeymen. With this group Evans's focus settled on traditional jazz standards and original compositions, with an added emphasis on interplay among band members. In December 1959 the band recorded its first album, Portrait in Jazz for Riverside Records. [10], George Russell upon hearing Bill Evans for the first time. [3][44], As usual, during the sessions of Kind of Blue, Miles Davis called for almost no rehearsal and the musicians had little idea what they were to record. There, Harry began piano lessons somewhere between age 5 and 7 with local teacher Helen Leland. On Bill Evans final day on Earth, It was Laurie that kept her tender gaze on Bill, comforting him with Joe LaBarbera ( Bill’s drum player) driving Bill’s Chevrolet Monte Carlo as they rushed him to hospital in the back of the car. Forgotten Jazz Orchestras: Billy Eckstine. A legendás szextett egyetlen fehér tagja volt. Evans had overcome his heroin habit and was entering a period of personal stability. [10], During his tenure with Davis, Evans had problems with the mostly black audience. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists. Bill Evans gilt als einer der einflussreichsten Pianisten des Modern Jazz und stilbildend für eine ganze Generation von Musikern, zu denen Herbie Hancock, Keith Jarrett, Chick Corea und Brad Mehldau gehören. Around the same time came his first exposure to jazz, when at age 12 he heard Tommy Dorsey and Harry James's bands on the radio. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a seminal modern jazz trio. He started with one gram per weekend, but later started taking several grams daily. [30] A week before the festival, the piece was previewed on TV, and Evans's performance was deemed "legendary" in jazz circles. In the final years of his life, Bill also had to contend with the suicidal death of his older brother, and his attempt to process his deep grief. [40], In September 1958, Evans recorded as a sideman in Art Farmer's album Modern Art, also featuring Benny Golson. Although a critical success that gained positive reviews in Down Beat and Metronome magazines, New Jazz Conceptions was initially a financial failure, selling only 800 copies the first year. Later, they would be posthumously issued as The 1960 Birdland Sessions. THE BIG LOVE Life & Death with Bill Evans can be purchased on Amazon. He visited his brother, now in Baton Rouge, Louisiana, recently married and working as a conservatory teacher. Evans returned to the scene as a leader in December 1958 with the album Everybody Digs Bill Evans, which included the famous "Peace Piece," a haunting vamp for solo piano that sounds like a long-lost Satie Gymnopedie. [62] He had also been too busy traveling with Davis to make a record. Written by Nigel J.| May 8, 2019| Evans commented "I would like to hear more of the consummate melodic master [Davis], but I feel that big business and his record company have had a corrupting influence on his material. In February 1961, shortly after the Explorations sessions, he appeared as a sideman in Oliver Nelson's The Blues and the Abstract Truth. [20][21] He studied classical piano interpretation with Louis P. Kohnop, John Venettozzi, and Ronald Stetzel. Evans influenced the character Seb's wardrobe in the film La La Land. [10][63] Most of Evans's harmonies feature added note chords or quartal voicings. I had to change the way the band sounded again for Bill's style by playing different tunes, softer ones at first. The brief, nine-month partnership of Miles Davis and Bill Evans yielded some of the most sublime and … Read More "Miles Davis and Bill Evans: Miles and Bill in Black & White" To access this content, you … "While I was staying with my brother in Baton Rouge, I remember finding that somehow I had reached a new level of expression in my playing. resulted. [28], Evans was discharged from the Army in January 1954, and entered a period of seclusion triggered by the harsh criticism he had received. [10] During this time, Helen Keane began having an important influence, as she significantly helped to maintain the progress of Evans's career despite his self-destructive lifestyle, and the two developed a strong relationship. But both he and Ellaine had to begin methadone treatment.[47][54]. [10], Evans soon began to perform in Greenwich Village clubs with Don Elliott, Tony Scott, Mundell Lowe, and bandleader Jerry Wald. Upon its return to Chicago, Evans and Aton worked as a duo in clubs, often backing singer Lurlean Hunter. Bill had this quiet fire that I loved on piano. By the turn of the decade, Evans had met a waitress named Ellaine Schultz, who would become his partner for twelve years. [10] Evans's friend Gene Lees described Evans's struggle with drugs as "the longest suicide in history. After the Complete sessions, Scott left for a long overseas tour. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom, as well as Jewish weddings, intermission spots, and over-40 dances. Evans regarded his last three years in college as the happiest of his life.[24]. As Laurie continues her searching, she goes on to share and draw you into a period of time when mixing with the likes of Dennis Hopper and other avant-garde characters on the Vancouver, BC scene, and her return to Edmonton. [61] Motives may be broken and recombined to form melodies. By that time, the band consisted of John Coltrane, Cannonball Adderley, Paul Chambers and Philly Joe Jones. You will also be able to buy the book in Italian, the translation being published by Minimum Fax in Rome and a Ukrainian translation being published by The Old Lion press in Lviv.
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